By Kyle J. Hayes
I knew this day would come.
Not every album on this list could be a masterpiece. Not every record could shake my soul, move my spirit, or make me rethink everything I knew about music. Everything can’t always be perfect, or great, or even good, for that matter.
But I never expected this.
When I saw Appetite for Destruction on the list, my first thought wasn’t intrigue—it was suspicion. Who did they pay to get here? And more importantly, could I get a refund for the time I was about to waste?
Still, I pressed play.
And for the next hour, I endured what can only be described as an auditory assault. A grating, unrelenting, screeching sound that drowned out everything else—the guitars, the drums, the songwriting, the legacy of every other hair band that ruled the ’80s. That sound, of course, was the voice of Axl Rose.
Some call it iconic. I call it unbearable.
Axl Rose does not sing so much as he wails—a tortured, high-pitched, feline howl that claws its way through every track, turning what might have been decent rock songs into exercises in endurance. At times, it felt less like an album and more like a punishment, which should come with a disclaimer: Warning: prolonged exposure may result in existential questioning of musical taste and life choices.
And it’s not that Guns N’ Roses isn’t good. They are. Slash is a great guitarist. The band had energy, attitude, and undeniable influence. But the tragedy is that none of that comes through when the most dominant sound on the album is the screeching equivalent of a dying cat.
And so, I am left with only one wish.
Whoever was paid to put this album on the list—I hope they hear Axl Rose’s voice in their sleep for eternity.
Because Appetite for Destruction does not belong here. Not among the greats. Not on this list. Not in a world where other bands from the same era—bands with stronger vocals, deeper songwriting, and actual listenability—exist.
I came in skeptical. I leave vindicated.
Now, if you’ll excuse me, I need to cleanse my ears with something else.

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